"I don't know why Terry's records aren't more popular because I think they're the greatest. Terry writes really good lyrics, very direct and funny and moving, but his songs fall between the cracks of all established formats. His music isn't quite country and it's not quite rock, but the themes he deals with-- family, love, religion, violence-- are so universal it seems like anybody could relate to them." So said David Byrne of Talking Heads (as quoted in a 1998 Perfect Sound Forever interview with Allen).
Allen and Byrne worked togther on the latter's True Stories film soundtrack. In the same interview Allen said of their friendship: "We're friends and we work very different from one another, the way we write songs, the nature of our curiosities. But the real common denominator is that neither of us particularly give a hang about high art, fine art, pop culture or popular art. I think it's about what inspires you, what moves you, what makes you laugh, whatever it is. The information is the same. I just think HOW we get it is very different and how it presents itself."
I hadn't even heard of Terry Allen until I interviewed M C Taylor of Hiss Golden Messenger. He chose it as a favourite back cover. "A picture of him covering his face with his hands, wearing a hat. It's an evocative image" and one Taylor has recently echoed in press shots such is the impact it's clearly had on him. The photo was taken by Allen's wife, Jo Harvey Allen.
In his review for Allmusic, Stewart Mason provided heavy praise. "Although it's all but unknown outside of a devoted cult following, Terry Allen's second album, 1979's, is one of the finest country albums of all time, a progenitor of what would eventually be called alt-country. This is country music with a wink and a dry-as-West-Texas-dust sense of humor, but at heart, Lubbock (On Everything) is a thoughtful meditation on Allen's hometown." He concluded, "Lubbock (On Everything) is essential listening for anyone with an interest in the outer fringes of country music."
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